Paper VS Cement
a graphic works exhibition size 70X100 by Alberto Balletti & Marco Trentin side event of 3rd International Printmaking Triennial of Beograd
Opening 28th April 2017 – GALERIJA ŠTAB – Crnogorska 10, Belgrade
With the patronage of the 3rd International Printmaking Triennial of Beograd and of the Academy of Fine Arts of Brera, Milan
The event will take place parallel to the two inaugural days of the 3rd International Printmaking Triennial of Beograd, held on April 27th and 28th 2017 – http://trijenalegrafike.rs/?lang=en
Paper VS Cement Team: Sanja Minic / Marina Guarneri / Marjan Andrejevic / Leonardo marenghi
Director Stab Marko Brun / Program Coordinator Stab Anja Petrovic
DJ Dowla
The artists are from the Academy of Fine Arts of Brera, Milan and of the Academy of Fine Arts of Venice: students, professors, printmakers and tutors: all artists working on print paper.
The artists exhibiting are Alberto Balletti, Ana Brumat, Giulia Gentilcore, Leonardo Marenghi, Giuseppe Pernigotti, Gianluca Rossitto, Alice Russo, Marco Trentin, Giuseppe Vigolo, Jue Wang and Vincenzo Zancana.
The artists’ works were chosen in order to have a visual impact, and establish a relationship with the distinctive strength of the Galerija Stab’s raw cement walls. We trust in the ancient history of paper resistance!
This research project develops under the skin of the paper and over the cement moulding, between the imprints of human images. Paper VS Cement crosses the boundary wall that further curbs its identity. Our etchings are an opportunity to build a new urban skyline, whilst our fragments recall the memory. Etchings as a structure for the memory and etchings that represent time shared. Etchings that visually narrate human history on an equal footing.
The characteristic of Paper VS Cement is the unit of measurement of fragments of printed narrative: the format 70X100 cm of the print papers.
photo by Marco Trentin, Marina Guarneri e Alberto Balletti
Works
Vincenzo Zancana – Principio monoico 2017 – cyanotype, woodcut & etching
Vincenzo Zancana – Principio monoico 2017 – cyanotype, woodcut & etching
Jue Wang – S.T. 2016 – Ink-jet
Jue Wang – S.T. 2016 – Ink-jet
Giuseppe Vigolo – S.T. 2017 – Xilografia
Giuseppe Vigolo – save tonight 2012 – etching
Marco Trentin – Son of Bacchanal 2016 – xilografia and ink-jet
Marco Trentin – Daughter of Bacchanal 2016 – xilografia and ink-jet
Alice Russo – Amorphous project 2017 – etching
Alice Russo – Amorphous project 2017 – etching
Gianluca Rossitto – We Are Similar_Rabbit 2016 – electrografia
Gianluca Rossitto – We Are Similar_Bear 2016 – electrografia
Giuseppe Pernigotti – Pelliccia – tensione sottocutanea 2016 – etching
Leonardo Marenghi – Russian oil 2016 – etching
Leonardo Marenghi – Thisty 2016 – etching
Giulia Gentilcore – Ricordo primo e ultimo 2016 – etching
Giulia Gentilcore – 46° 18’ 91.6” N / 8° 14’ 17.1” E 2016 – etching
Ana Brumat – S.T. 2016 – etching
Ana Brumat – Rogo 2016 – etching
Alberto Balletti – stun Glow 2017 – etching and Ink-jet
Alberto Balletti – over_confidence 2017 – etching and Ink-jet
Paper VS Cement
Opening 28th April 2017 GALERIJA ŠTAB – Crnogorska 10, Belgrade – https://www.facebook.com/galerija.stab.beograd/
Paper VS Cement – mostra di grafica d’arte di formato 70X100 – è curata da Alberto Balletti & Marco Trentin e sarà evento collaterale della 3rd International Printmaking Triennial of Beograd 2017.
La mostra ha il patrocinio dell’Accademia di Belle Arti di Brera e della International Printmaking Triennial of Beograd.
Gli artisti in mostra provengono dall’ambiente delle Accademie di Belle Arti di Brera e di Venezia: artisti printmakers, studenti, professori e tutor di laboratorio: tutti artisti che lavorano su carta
Gli artisti in mostra: Alberto Balletti, Ana Brumat, Giulia Gentilcore, Leonardo Marenghi, Giuseppe Pernigotti, Gianluca Rossitto, Alice Russo, Marco Trentin, Giuseppe Vigolo, Jue Wang e Vincenzo Zancana.
Le opere degli artisti sono state selezionate per l’impatto visivo, dovendo stabilire una relazione con i possenti muri in cemento della Galerija Stab’s. Crediamo fermamente nell’antica storia della resistenza della carta!
Questo progetto di ricerca si sviluppa sotto la pelle della carta e sopra le colate di cemento, tra le impronte di immagini umane impresse.
Paper VS Cement attraversa il muro di frontiera oltre le limitazioni delle identità. Le nostre stampe sono un’opportunità per ricostruire lo skyline urbano, mentre i nostri frammenti ne richiamano la memoria. L’incisione come struttura della memoria e il segno inciso come rappresentazione del tempo condiviso. Segni che narrano visualmente la storia umana su un piano di parità.
La caratteristica di Paper VS Cement è l’unità di misura del frammento narrativo stampato sul format cm. 70X100 della carta da stampa
FB: https://www.facebook.com/Paper-against-Cement-1938765253001532/
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